17 691 безплатни аудиофайлове за "Midi Files Of Musical Scales In B"

Supertonic diminished seventh chord in C (D♯=E♭).

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Dominant thirteenth: four-voice version.

Minor seventh chord on a vi7 in C. Created by Hyacinth (talk) 07:25, 14 August 2011 (UTC) using Sibelius 5.

Viennese fourth chord.

Sharpened subdominant with diminished seventh chord in C.

Major triad on C. Created using Sibelius.

Ogg Vorbis sound file of C Major scale

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Ives quarter tone fundamental chord.

Just augmented sixth in just C scale: A♭ and F♯. 225:128 = 976.54 cents.

*Septimal meantone perfect fifth on C. = 696.88 cents.

*Harmonic seventh on C = B♭. 7:4 = 968.83 cents. Limit: 7-limit. MIDI pitch bend: 3,54

*Classic diminished sixth on C = Abb. Just: 192/125 = 743.01 cents. Limit: 5-limit. MIDI pitch bend: 98,77

*Neutral sixth on C = A. Equal-tempered: 217/24:1 = 850 cents. MIDI pitch bend: 0,80 Preceded by:File:Fifteen quarter tones on C.mid

*Major fourth (Eleven quarter tones) on C = F or G. 211/24:1 = 550 cents. MIDI pitch bend: 0,80 Preceded by:File:Nine quarter tones on C.mid

*2 steps in 21 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/21:1 = 114.29 cents. MIDI pitch bend: 73,68

*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.

*Classic diminished octave/Large just major seventh on C = C♭. 48/25 = 1129.33 cents. Limit: 5-limit. MIDI pitch bend: 49,73

Grave major third on C (E-), 100/81, 364.81 cents.

Grave major seventh on C (B-), 50/27, 1066.76 cents.

*1 step in 9 equal temperament on C. Equal-tempered: 21/9:1 = 133.33 cents. MIDI pitch bend: 85,74

*Greater just minor seventh on C = B♭. 9/5 = 1017.60 cents. Limit: 5-limit.

Just diminished seventh in just C scale: B and A♭.

*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.

*Tridecimal minor third on C = E↓♭. Just: 13:11 = 289.21 cents. Limit: 13-limit.

Zalzal's wosta on C, E↓+. 27 : 22 = 354.55 cents.

Grave major sixth on C (A-), 400/243, 862.85 cents.

*18 steps in 19TET on C = B♯ (Easley Blackwood's notation). Equal-tempered: 218/19:1 = 1136.84 cents. MIDI pitch bend: 101,75

*1 step in 16 equal temperament on C = C♯ (Easley Blackwood's notation). Equal-tempered: 21/16:1 = 75 cents. MIDI pitch bend: 127,55

Ascending and descending scale played in E major

Ogg Vorbis sounds file of scale: C Melodic minor

Sonate en si mineur de Liszt

Liszt- sonata In B Minor

Sonata in B-flat major, Deutsch Catalogue 960 - 4th movement: allegro ma non troppo

Ratio between pitch and length of an organ pipe: octaves.

Mystic chord Acorde místico

*12167th harmonic on C = E+. Equal-tempered: 24/12:1 = 684.82 cents. Limit: 23-limit. MIDI pitch bend: 18,91 on TT

*15625th harmonic on C = A♯+. Just: 4/12 = 1117.88 cents. Limit: 5-limit. MIDI pitch bend: 92,69

*6859rd harmonic on C = B. Just: 4/12 = 892.54 cents. Limit: 19-limit. MIDI pitch bend: 78,61

Chopin's Prelude in C minor modulates within the first three measures.

Street organ playing the Waltz of the Blue Bride in the Historic Center of Mexico City. (Live recorded.).origin:Les Patineurs, valse The Skaters' Waltz Der Schlittschuhläufer-Walzer 日本語: ワルツ『スケートをする人々』 (composer:Émile Waldteufel op.183)

*28 steps in 72 equal temperament on C. Equal-tempered: 228/72=14/36=7/18:1 = 466.67 cents. MIDI pitch bend: 43,53

*13 steps in 18-et on C = ?. Equal-tempered: 213/18:1 = 866.67 cents. MIDI pitch bend: 42,53

*17 steps in 18-et on C = ??. Equal-tempered: 217/18:1 = 1133.33 cents. MIDI pitch bend: 85,74

*11 steps in 18-et on C = ??. Equal-tempered: 211/18:1 = 733.33 cents. MIDI pitch bend: 85,74

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.